Beyond love songs is a love silence and this is where all love songs arise from. A song not being silence is being something and in being something there is a proof to prove what it is not. In the proof from the nightingale call, the dark night still dominates the ground and that ground is the silence for all to arrive to the call. Love songs are a violation of silence and all violations of silence are nothing more than a longing, a lamenting, for that silence to return again. The Eden silence.
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Girl, don't you know you're so beautiful
I wanna give all my love to you, girl
I wanna give all my love to you, girl
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Words of “mine” and “my”—there is this preferred sense of belonging rather than longing… all “love songs” should be “longing songs”. If a “my love” is given and is accepted then the gift pervades both participants and it no longer is a “mine” or “yours” but a moment of silence, song ends, nothing left to call for, or long for. Nightingale becomes dark night.
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right here right now, I got somebody who loves me for me, got somebody who loves me for me,
The idea of “me” as “ME” and as if there is such a Other that knows “me” before I even know “me” is phenomenal to say the least. But, to say the least is a way of knowing beyond the “love song” or the “longing song”. To say the least is moving towards “love silence”.
In deciphering lyrics to form a ground for the “longing song” is tedious, because longing is deficient in syntactical words because it is saturated in feelings. And in that sense, silence is broken by a moan or a howl which lays the interruption for words to form. Hence, feeling brought forth a OM or a howl or a moan out of pure violation of silence.
I'll stay with you through the ups and the downs
Oh I'll stay with you when no one else is around
Oh I'll stay with you when no one else is around
Love songs prove the impossibility of love. But, it is silence, that brings about the possibility. This idea of “staying power” is a “other form”. The satellite orbits of commitals and the reverse (permiscuity) are found with in the degrees of “staying power”. The commitals involved in love making for that singular “one night standing” is a commital of “standing power” or “staying power”. It is the same energy of the wedding anniverseries. The wager anniversery in which the bet of “staying power” was placed is of the same wager of “standing power”. Though “one night standing power” is a wager or wedding of possible venerial or a procreative venture, they have the same impetus “to-belong”. Both leave their birth mark against the already present something that broke the silence.
I wondered all this time 'bout how you been
and I hoped by chance, I'd see you once again
and I hoped by chance, I'd see you once again
The fact that a song is there proves that love is not there. A song always announces a “not yet” and in that “not yet” the possibility for a “longing song”, “love song”, and “a grasping song” is fortified. A “grasping song” interrupts what is already “at hand”. So, BEYOND A LOVE SONG IS A LOVE SILENCE.
Proving the point “falling in love” is fallacious in its directional momentum. For if it is really love it would be a rebound out away from the earth. LEVITY.
