He was sitting in a booth by himself. He realized the man in the red, woolen jacket was right. He wasn’t in the circle. How did he get cast out? What did he do?
Staring over the rim of his bottle of beer, he saw two women dancing. One of the women was slim, and the other was portly and homely. She gleamed beet-red. The other had the same beet-red color. She was another plane-Jane, but even he could see the red wine’s tannins.
The small window still presents the storm outside. Outside. It looks so cold. This is not due to the temperature. It is the four dead leaves dangling off dead branches—dormant for the season.
Patsy Cline is twanging in the background. The chattering of drunks fills the background. He is not an exception.
Red. The color is everywhere.
The words are red.
The two dancers are sitting at the end of the bar now. Their heads are swaying back-and-forth to the music in unison.
The leaves through the window (that tiny-ass window) swing in unison. Back-and-forth.
Try to live with the burden of real, actual humanity. Listening, seeing, feeling the flaws of your brothers and sisters. Finite life is what brings joy to Being.
Empathy for one’s fellow (hu)man is important; necessary; compulsive. Why does he care? Why should he care? Always remember, fair reader, that you are involved in this too.
It is a like a drug addiction. It’s like love. One day the empathy for fellow brothers and sisters fill a person with joy and excitement; on another day empathy leaves a person empty; dull; isolated.